Our expertise covers all aspects of sculpture – from Egyptology and Assyriology through to the modern, postmodern, and contemporary eras.

We are active in all areas of theoretical and historical sculpture studies; we pursue significant and original research that draws from a variety of disciplinary backgrounds and historiographic and methodological perspectives.

We enjoy with internationally significant centres of sculptural display and study. These include the nearby , the and the .

Image: Tate, London 2019.

Contact us

Professor Jason Edwards
Cluster Director

jason.edwards@york.ac.uk

Related links

Singing Stone is one of the most recent sculptures installed on campus.

Sculpture in Ìð¹ÏÊÓƵapp

Ìð¹ÏÊÓƵapp is uniquely situated in Britain as a hub for sculptural studies. Our research draws upon the remarkable wealth of resources available in Ìð¹ÏÊÓƵapp and nearby, which include:

  • Displays of European and North American sculpture from 1945 to the present, including the modernist sculpture of Henry Moore and Barbara Hepworth.
  • Collections of classical and neo-classical works, accumulated during the 18th and 19th centuries in the great country houses of the region.
  • Collections of sacred sculpture in Ìð¹ÏÊÓƵapp Minster and parish churches across the city and county.
  • A premier location for those seeking to combine the study of medieval sculpture with first-hand acquaintance of the objects themselves.

People

  • Dr James Boaden
  • Sculpture in American post-war art; Sculpture and experimental film

Current Students

  • William Mead Cheek
    Anglo-Saxon architectural sculpture in its social, aesthetic, and theological context
  • Izabella Gill-Brown
    British Victorian Busts

  • Sammi Scott 
  • The Novelty of Reproduction: Translating Fine Art into Two-and-a-Half-Dimensions in the Long Nineteenth Century

 

Past Students

  • Cherissa Casey 
  • Sacred skulls, textiles, and medieval veneration: exploring the Holy Head reliquaries of Cologne
  • Martha Cattell 
  • Bone and Oil: The Long Nineteenth-Century Visual and Material Cultures of Whaling (AHRC funded CDA)
  • Koching (Ellen) Chao 
  • The spatial-visual capacity of public sculpture, and its influence on spectators’ sensibility to spatial configuration in Piazza della Signoria, Florence
  • Charlotte Davis 
  • The approaches of key carvers active in post-Restoration England: Francis Bird, Caius Gabriel Cibber, Grinling Gibbons, and Edward Pierce
  • Amanda Doviak 
  • At Cross Purposes? Sacred and Secular Figural Iconographies of the High Cross in the Northern Danelaw, c. 850-1000
  • Megan Henvey 
  • The Northern Group of Irish High Crosses: Simply a Geographical Term?
  • Rebecca Mellor 
  • Impact of 19th century museum display practices on modern interpretation of Roman erotic art

 

Research interests

We are keen to develop research at Masters, doctoral and post-doctoral level in the following areas:

  • Post-1945 modern and contemporary sculpture, and related art
  • Sculpture in American post-war art
  • Relationships between sculpture and experimental film
  • 20th-century modernism in Europe and America
  • English modernist sculpture
  • The Lady Lever sculpture collection
  • The sculpture of the Gothic Revival
  • Pre-Raphaelite and the New Sculpture
  • 18th-century sculpture
  • Italian Renaissance sculpture
  • Italian Baroque sculpture / architecture / decoration (inter-relationships and possibilities)
  • Late 14th to early 16th-century sculpture in Germany and the Netherlands
  • 12th to 15th-century sculpture and monumental art in Britain and Northwest Europe
  • The presentation and display of early medieval sculpture
  • The historiography of early medieval sculpture
  • The iconography of early medieval sculpture in Britain and Ireland

Contact us

Professor Jason Edwards
Cluster Director

jason.edwards@york.ac.uk

Related links